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    Aug 30, 2010 | Los Angeles Times
  1. Theater review: 'The Good Negro' at Stella Adler Theatre

    Culture Monster
    Idealism is a dirty business in Tracy Scott Wilson’s “The Good Negro,” now at the Stella Adler Theatre. It’s Birmingham, 1962, and the civil rights movement led by MLK-like Reverend Lawrence (Phrederic Semaj) finds a public relations dream in...
  2. Sep 9, 2010 | Los Angeles Times
  3. Theater review: 'Let Freedom Ring' at the Stella Adler Theatre

    Culture Monster
    Everybody loves a good heist, and Ted Lange’s “Let Freedom Ring,” now at the Stella Adler Theatre, has a delicious premise: In the Philadelphia of 1846, a canny band of African Americans, led by freeman Prince Africanus (Lange, who also......
  4. Oct 14, 2010 | Los Angeles Times
  5. Theater review: 'Hello' at the Stella Adler Theatre

    Culture Monster
    Among the neon signs on Hollywood Boulevard, the Stella Adler Theatre’s quiet marquee says “Hello” — a polite cleared throat in a clamor of catcalls. Those who answer this mild greeting enter the unflashy, beguiling, occasionally unsettling...
  6. Dec 2, 2010 | Los Angeles Times
  7. Theater review: 'The Santaland Diaries' at the Stella Adler

    Culture Monster
    Those who didn’t get a chance to see David Sedaris’ “The Santaland Diaries” during last season’s sell-out at the 2nd Stage, take heart. The production is being reprised at the more commodious Stella Adler space, where tickets will, one hopes,......
  8. Feb 17, 2011 | Los Angeles Times
  9. Theater review: 'The Cradle Will Rock' at Stella Adler Theatre

    Culture Monster
    David C. Nichols reviews Blank Theatre Company's revival of 'The Cradle Will Rock' at Stella Adler Theatre...
  10. Jan 13, 2011 | Los Angeles Times
  11. Theater review: ‘Amy and Elliot’ at the Stella Adler Theatre

    Culture Monster
    Whether to be a hot dog vendor or a birthday party clown may not equal the profundity of Hamlet’s existential question, but we live in diminished times. So when Elliot, the slacker hero of Ryan Eggold’s “Amy and Elliot,” rattles......
  12. Oct 6, 2009 | Los Angeles Times
  13. The Blank Theatre Company in Hollywood announces 2009-10 season

    Culture Monster
    Works by David Sedaris (left), Christopher Durang and Michael John LaChiusa will topline the Blank Theatre Company's 2009-10 season. The Hollywood-based company, led by Daniel Henning and actor Noah Wyle, will start its season later than usual in November...
  14. Nov 4, 2009 | Los Angeles Times
  15. 'Looking Glass Wars' takes Alice to a very different Wonderland

    The Hero Complex
    The rabbit hole is getting crowded again. It’s been 144 years since Lewis Carroll introduced the world to an inquisitive girl named Alice, but her surreal adventures still resonate – Tim Burton’s “Alice in Wonderland” arrives in theaters in...
  16. Jan 14, 2010 | Los Angeles Times
  17. Pacific Stages prepares for its inaugural season

    Culture Monster
    For a theater company to launch its first season in the middle of a recession takes guts. To do so in El Segundo -- far off the beaten track of Los Angeles' main theater hubs -- would seem almost foolish.......
  18. May 19, 2010 | Los Angeles Times
  19. Young Playwrights Festival to kick off June 3 in Hollywood

    Culture Monster
    When the Blank Theatre Company launches its 18th annual Young Playwrights Festival next month, the line-up will include 12 plays by dramatists ages 14 to 19 from six states. The festival, which runs June 3 to 27, will take place......
  20. Sep 8, 2009 |Story| Los Angeles Times
  21. 'The Confessions of Edward Day: A Novel' by Valerie Martin

    A man walks down a pier on the Jersey shore alone at night, leans on a decrepit railing and falls through into the black waves below. Just as his strength gives out, he feels a pair of arms around him -- a rescue. He owes his life to another man. This strange debt -- analyzed, negotiated, shirked -- is the molten center of Valerie Martin's subtle but intense seventh novel, "The Confessions of Edward Day."
    A man walks down a pier on the Jersey shore alone at night, leans on a decrepit railing and falls through into the black waves below. Just as his strength gives out, he feels a pair of arms around him -- a rescue. He owes his life to another man. This...

    Tags: Celebrities, New York, Fraud, Corporate Crime, Forehead

  22. Feb 12, 2010 | Los Angeles Times
  23. Theater review: 'Why Torture Is Wrong, and the People Who Love Them' at the Stella Adler Theatre

    Culture Monster
    The aftermath of the 9/11 attacks has produced its fair share of art, but farce has been one area hitherto neglected. Christopher Durang, operating with his customary lunatic hilarity, bravely steps into the breach. In “Why Torture Is Wrong, and......
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The Blank Theatre Company in Hollywood is staging its p...
(November 30, 2012)
'The Santaland Diaries'
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