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'Don't Come Knocking'
!["Don't Come Knocking" opens with a bandit mask view of blue sky and fluffy white clouds where the eyes should be. A reverse shot reveals it to be a panoramic vista of rocks near Moab, Utah, with Sam Shepard on horseback high-tailing it from somewhere or another.](http://www.calendarlive.com/media/thumbnails/story/2006-03/22465554.jpg ""Don't Come Knocking\" opens with a bandit mask view of blue sky and fluffy white clouds where the eyes should be. A reverse shot reveals it to be a panoramic vista of rocks near Moab, Utah, with Sam Shepard on horseback high-tailing it from somewhere or another.")
Times Staff Writer"Don't Come Knocking" opens with a bandit mask view of blue sky and fluffy white clouds where the eyes should be. A reverse shot reveals it to be a panoramic vista of rocks near Moab, Utah, with Sam Shepard on horseback high-tailing it from somewhere or...Tags: Marley Shelton, Cinema Industry, Wim Wenders, Sarah Polley, Jessica Lange
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Don't Come Knocking
Zap2It.comMore than 20 years after collaborating on "Paris, Texas," director Wim Wenders and writer Sam Shepard reunite for "Don't Come Knocking," which delivers the expected stellar cast, deep and sweeping vistas, rhythmic dialogue and floundering anti-hero....Tags: Wim Wenders, Sarah Polley, Montana, Jessica Lange, Entertainment
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'The Life of David Gale'
![Alan Parker, the director of the death-penalty drama "The Life of David Gale," likes his acting big, his edits hard and his stories slick. A filmmaker with a penchant for highbrow material and an instinct for lowbrow thrills, Parker is a consummate journeyman and a relentless huckster (like a number of major British directors, he started in advertising), and it's a rare one of his movies that doesn't entertain. Even when they're as deadly serious as Parker's earlier prison-house thriller "Midnight Express" or "Mississippi Burning," his revisionist take on the civil-rights movement, these are films in which no one and nothing is beyond exploitation.](http://www.calendarlive.com/media/thumbnails/story/2003-02/6692623.jpg "Alan Parker, the director of the death-penalty drama "The Life of David Gale,\" likes his acting big, his edits hard and his stories slick. A filmmaker with a penchant for highbrow material and an instinct for lowbrow thrills, Parker is a consummate journeyman and a relentless huckster (like a number of major British directors, he started in advertising), and it's a rare one of his movies that doesn't entertain. Even when they're as deadly serious as Parker's earlier prison-house thriller \"Midnight Express\" or \"Mississippi Burning,\" his revisionist take on the civil-rights movement, these are films in which no one and nothing is beyond exploitation.")
Times Staff WriterAlan Parker, the director of the death-penalty drama "The Life of David Gale," likes his acting big, his edits hard and his stories slick. A filmmaker with a penchant for highbrow material and an instinct for lowbrow thrills, Parker is a consummate...Tags: Mississippi, Laura Linney, Cinema Industry, Harvey Keitel, Matt Craven
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High Art
FOR THE TIMESFriday June 12, 1998 I don't know about art, but people are definitely high in Lisa Cholodenko's arrestingly ambitious "High Art," a movie populated by characters who keep themselves so stoned on heroin they seem to be in a perpetual state of slow-...Tags: Minority Groups, New York, Sundance Film Festival, Entertainment, Newspaper and Magazine
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'Dominion: Prequel to the Exorcist'
!["If at first you don't succeed, try, try again" may be advice film producers would be wise to ignore. After sinking a reported $40 million into a Paul Schrader-directed prequel to the 1973 horror hit "The Exorcist," Morgan Creek Chief Executive James Robinson shelved that version and brought in director Renny Harlin — known as much for his duds ("Cutthroat Island," "Mindhunters") as his hits ("Die Hard 2," "Cliffhanger") — to reshoot it at considerable expense. Harlin's film, titled "Exorcist: The Beginning," was released last August to poor reviews and negligible box office.](http://www.calendarlive.com/media/thumbnails/story/2005-05/17647785.jpg ""If at first you don't succeed, try, try again\" may be advice film producers would be wise to ignore. After sinking a reported $40 million into a Paul Schrader-directed prequel to the 1973 horror hit \"The Exorcist,\" Morgan Creek Chief Executive James Robinson shelved that version and brought in director Renny Harlin — known as much for his duds (\"Cutthroat Island,\" \"Mindhunters\") as his hits (\"Die Hard 2,\" \"Cliffhanger\") — to reshoot it at considerable expense. Harlin's film, titled \"Exorcist: The Beginning,\" was released last August to poor reviews and negligible box office.")
Times Staff Writer"If at first you don't succeed, try, try again" may be advice film producers would be wise to ignore. After sinking a reported $40 million into a Paul Schrader-directed prequel to the 1973 horror hit "The Exorcist," Morgan Creek Chief Executive James...Tags: The Exorcist (movie, 1973), Entertainment, Caleb Carr, Paul Schrader, Max von Sydow
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Fall Movie Preview
The Hartford CourantBetween the end of summer and the edge of winter and the holiday season, the movies shrink. The budgets are lower; the weekend totals dip. As young acolytes await the second coming of Harry Potter on Nov. 15 and older fans count the days until Pierce...Tags: Holly Hunter, Blackmail and Extortion, Kate Hudson, Anthony Hopkins, Betty Thomas
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'A Lot Like Love'
![With realistic dialogue and no far-fetched misunderstandings, 'A Lot Like Love' bucks the genre considerably.If in fact it were true that modern life doesn't provide the obstacles that make for decent barriers to romance, then finding love would be as glitch-free as a smooth slide into bitterness. But the disappearance of traditional obstacles has only led to a rise in creative barricading. We have DIY love problems now, and Nigel Cole's "A Lot Like Love," written by Colin Patrick Lynch, has the decency to acknowledge them and deem them sufficient.](http://www.calendarlive.com/media/thumbnails/story/2005-04/17245959.jpg "With realistic dialogue and no far-fetched misunderstandings, 'A Lot Like Love' bucks the genre considerably.If in fact it were true that modern life doesn't provide the obstacles that make for decent barriers to romance, then finding love would be as glitch-free as a smooth slide into bitterness. But the disappearance of traditional obstacles has only led to a rise in creative barricading. We have DIY love problems now, and Nigel Cole's "A Lot Like Love,\" written by Colin Patrick Lynch, has the decency to acknowledge them and deem them sufficient.")
Times Staff WriterWith realistic dialogue and no far-fetched misunderstandings, 'A Lot Like Love' bucks the genre considerably.If in fact it were true that modern life doesn't provide the obstacles that make for decent barriers to romance, then finding love would be as...Tags: Jeremy Sisto, Ashton Kutcher, San Francisco, New York, Comedy (genre)
Mar 17, 2006
|Story| Los Angeles Times
Mar 16, 2006
|Story| Zap2It
Feb 21, 2003
|Story| Los Angeles Times
Jun 11, 1998
|Story| Los Angeles Times
May 20, 2005
|Story| Los Angeles Times
Sep 1, 2002
|Story| Hartford Courant
Apr 22, 2005
|Story| Los Angeles Times
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